Celebrated and celebrity

Sir James Weatherall and Dan Snow – both celebrated former Sea Cadets

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Historian and BBC presenter Dan Snow on the front cover of Seafarer magazine

“Have you ever interviewed anyone famous?”

That’s a question I’m frequently asked when I say that I’m a journalist and editor, and when I reply yes, the follow-up is invariably, “Who?”

Olympians, actors, MPs

At that point I usually list a handful of personalities who make regular headlines – MPs, Olympians, actors… then I blank. You’ll find a few of them listed in my character interview pages on this blogsite.

The truth is, I’ve interviewed so many people in the course of 30 years in the business that I’ve forgotten more of my interviewees than I can remember.

That’s not what my offspring would call a humble-brag. Genuinely, I can’t name names when put on the spot and in the early days of my career (when I interviewed the likes of composer Sir Malcolm Arnold, Monkees lead singer Davy Jones and Dr Who actor Jon Pertwee) it never occurred to me to keep a record. I can’t for the life of me remember the author I interviewed when I was in my first few weeks as a professional journalist. I do recall that it was at a barn conversion near Diss and I was especially impressed by his floor-to-rafters bookshelves.

On Saturday then, flipping through the Register section of my paper copy of The Times, it wasn’t the name that caught my eye, but an image. Sandwiched between the obituaries of The Earl of Plymouth and actor Bill Maynard was a third, that of a man standing on the deck of a ship wearing naval uniform and looking both proud and pleased – and I knew I’d seen the photograph before.

He went on to receive not one, but two knighthoods

Vice-Admiral Sir James Weatherall considered his time as Captain of HMS Ark Royal as a boyhood dream come true, he told me. But despite the fact he went on to receive not one, but two knighthoods, the first after a distinguished 37-year-long career in the Royal Navy, the second after serving in the Diplomatic Corps, our interview didn’t even make the front page of the magazine that had commissioned me for members of the Marine Society & Sea Cadets (MSSC).

Not even the Sir James Weatherall’s status as a former chairman of the Sea Cadets and a series of interests and distinguished appointments that made me wonder when he had time to sleep gave him the cover slot of Seafarer.

The Winter 2009 issue that featured him also carried an interview I’d done with poster-boy television broadcaster and now much-respected historian Dan Snow. So perhaps understandably, it was Dan who made the cover, his steadfast gaze and crumpled shirt a contrast to the super-smart uniform of a Naval officer standing on the deck of one of the most famous ships of the modern age.

Celebrated, not famous

Of course I also remember the interview I conducted with Dan. It was done over the phone as he shuttled between terminals at Heathrow, competing with so much background noise from baggage trolleys and tannoy announcements that I was fearful that I would not have enough material to create the feature I’d been commissioned to write.

On Saturday, I couldn’t help reflecting on a life well-served but not in the spotlight. To the wider public, Sir James Weatherall wasn’t a celebrity, and if I told anyone I’d interviewed him, I’m not sure they would have a clue who he was or be impressed.

You can read the obituary in The Times, March 31, 2018 (paywall) and a pdf of my original article in Seafarer is available to view here.

My career in journalism has led to brief connections with the hugely respected and celebrated, as well as the feted and famous, and for that privilege I’m grateful.

But it’s a funny old concept, celebrity – isn’t it?

I didn’t get to meet Roger Bannister…

Sir Roger BannisterBut when I was editing Oxfordshire Life magazine, and the idea was pitched that we included an interview with Sir Roger Bannister to mark his 80th birthday, I jumped at the chance to give readers an insight into his latter years in Oxford.

Meeting your heroes

It’s one of the disadvantages of being the editor, rather than the writer or photographer, that you get stuck in the office pushing paper rather than getting to meet your heroes. Both Justin Bowyer, who pitched the idea, and Paul Wilkinson, the photographer, set up their own successful businesses and keep in touch via social media. Some articles, more than others I’ve commissioned as an editor, have stuck in the mind. This one because I’m a mad-keen sports fan, and because both Justin and Paul were thrilled to have met Sir Roger Bannister, and the announcement of his death on March 3, 2018 made me think of them.

The passing of one of our national sporting greats prompted tributes on all media channels and at the IAAF world indoor athletics championships in Birmingham, plus a celebration of his life. No-one lives forever. You can ask no more than you leave a good mark on the world, and tellingly, Roger Bannister rated the achievements of his professional and academic career at least as highly as his sporting successes. Had he been born in the era of professional athletics, he may have chosen to concentrate on his running for longer, once qualified, pretty much as veterinary student and double worlds medallist Laura Muir plans to do. But athletics was a gentleman’s hobby back in the fifties, and if you had to earn a living it couldn’t be through paid appearances.

3 minutes 59.4 seconds

Iffley Road running track

I smiled when I heard Sebastian Coe and Steve Cram discussing how many thousands of people would say they had been at the Iffley Road track in Oxford on May 6 1954, watching the historic scenes, when the real figure was around 1,200. Many people will be able to say they met him during his 88 years, but not me. But I am glad that Paul and Justin did. Meeting your heroes is one of the privileges of working in our business. Being a hero – well that’s a different story.

© All pictures and text used in this post are subject to copyright by the original authors, photographer and/or the publishing company. Design and layout in Oxfordshire Life by Louise White.

Off to uni? Here’s what to buy, according to last year’s freshers

What to buy ahead of university

University essentials

It’s that time of year when stores send out marketing emails full of smart ‘back to uni’ merchandise, and parents splash out to get their teens set up for life away from home. But before you fill your trolley with things that may never be used, check out these do’s and don’ts from students themselves.

Clever marketers know how to pull parental heart- and purse-strings as A-level, BTEC and other results come to fruition. But before mums and dads give free rein to thoughts of tidier bedrooms and a fully stocked fridge, and students relish the release from the ‘what time will you be back?’ question, there’s a big hurdle to jump first – the transition from home to halls. And with university freshers’ week looming large, it’s easy, in the excitement and apprehension of this next phase of life, to be sucked into buying ‘stuff’.

Lots of what’s needed may already be available from within family – ask grandparents who have downsized, or just accumulated a lifetime of crockery and cookware, what they can spare, for instance. And bear in mind that items parents feel are essential, or just want to buy as a treat and reward for getting to uni, may never be used. So what did students make the most of once they’d settled in? Ahead of a pre-university shopping spree, I asked a few of last year’s freshers and freshly graduated adults what every parent preparing to buy up the store should know.

Don’t get too much crockery and cutlery

Within weeks of purchase that 24-piece set of blue-handled cutlery you thought was a distinctive (and identifiable) must-have could well have been absorbed into a mass of shared kitchenalia. Worse, its destination could be under another student’s bed, festering with unwashed plates and other ‘borrowings’. There always seems to be one housemate whose room is a black hole pulling other people’s belongings into its orbit. And mounting a retrieval raid can be difficult. It’s easier, in the first few days and weeks, to keep track of a set of one or two knives, forks, dessertspoons and teaspoons, and bowls, tea-plates and dinner-plates. Your teen could keep a spare of each in their room to cover losses and breakages until they’re sure they won’t go missing. That said, less crockery may not be altogether better.

“I wish I’d had more plates, bowls and cutlery so I didn’t have to wash up ALL the time,” says Victoria, adding that these would have been ideal when new friends came around.

Other kitchen essentials mentioned by more than one student include a lidded pan for pasta and a cheap frying pan.

“A frying pan and fairy lights were the best things I was bought for uni,” says Lydia, who graduated last year. She also made use of a far-from-essential food mixer and baking equipment simply because she loves cooking, but she turned down a fellow fresher’s offer of cash in exchange for a share of her regular meals on the grounds it was too much responsibility (and he was lazy and should try harder). Meanwhile Amy found a toastie maker an invaluable addition to her kitchen. “We used that loads!” she says.

A frying pan and fairy lights were the best things

A multi-purpose oven- and microwave-proof dish with lid may prove an important addition as it can be used for baking, roasting, reheating and serving. One small and sharp knife, an easy peeler, plus a chopping knife and board are enough for all preparation. No student really needs an array of Sabatier or sushi standard blades. Besides, if anything does go astray or your teen discovers their culinary genius ahead of impressing a new partner, most big supermarkets sell cheap and cheerful ranges and the charity shops close to halls will have items donated by last year’s graduates who couldn’t find room for them in the car they left in.

Tone down the bed linen

Your fresher may not be ready to relinquish their Harry Potter bedset, while you want to upgrade them to matching bedding complete with toning cushions, to show you care and ensure they’re not teased. There’s nothing wrong with buying new for uni and ditching the young teen look, but check whether your ‘baby’ will be sleeping in a single or double bed (many student rooms cater for cuddling up at night) so you buy the right sizes. Unless your teen can style out a loud pattern, opt for plain-dyed bedlinen (at least two sets of everything) and don’t forget to add in a couple of mattress covers. The chances are, student bedsheets won’t see a washing machine above once a term and will come back at Christmas, or even at the end of the academic year, looking like a shroud (especially if fake tan has been involved).

Printers and stationery

Your student son or daughter probably owns a laptop, but may have been using the family printer. If you buy new, make sure the ink refills are cheap as some cost more than the printer to replace. Getting wifi access set up (the uni welcome pack issued when they collect their keys covers this) and creating a study scene on their desk area will encourage a continued work ethic and cut procrastination time once the hard work starts.

Few students will turn down a supply of paper, a couple of notebooks and pens, so put these in the trolley along with a small pot of coloured drawing pins to make it easy to decorate. Many student rooms have a ban on sticky tape and tack for posters, favouring corkboards instead.

“It’s a small thing, but I didn’t bring any pins and I wished I had,” says Polly. “I wanted to put up timetables and photos but didn’t want to go searching for them in Aberystwyth in my first week or so!”

It’s a small thing, but I didn’t bring any pins and I wished I had…

A personal supply of sticky tape (now you’re no longer going to be on hand as official tape finder and dispenser) and a glue stick may also prove useful. Tuck a family and pre-prom photo among the ‘congratulations’ and ‘good luck’ cards they received from friends and family ready for them to put up or look through once you’ve left the building. These will also serve as a reminder that they’ve been working towards, and looking forward to, this day and that many of their schoolmates are also heading for pastures new.

Other essentials

Shower gel, shampoo, toothpaste, sanitary products and that all-important must-buy special antiperspirant can add significant expense to a grocery bill. Maybe you want your teen to realise the harsh realities of semi-independence and the cost of branded buys, but initially, it’s nice to stock them up with a small supply of their preferred toiletries to remind them of home and help keep their finances in order. If they don’t already know that supermarket own-label will do the job just as well when their little stash runs out, expect to be enlightened about this (and several other things they’ve ‘discovered’) when they come home at Christmas. A pot plant (succulents are the in-thing) can also add a home-from-home feeling to an otherwise impersonal room.

Another recent graduate, Clare, recommends buying a coin purse just big enough to cram in ID, campus card and £10 for a night out. But speaking of non-essentials though, Clare reveals one much-loved treasure that never left her room. “I had a really nice Emma Bridgewater teapot that I wouldn’t let near any of our kitchens over the three years.”

On the money front, encourage your student to download a budgeting app, or sign up for their bank account’s spending monitor to help them stay on track in this first term. That way they won’t be coming back for handouts before the Christmas holidays (fingers crossed), when the empty fridge and full washing basket for a month will be reinstated back home.

Best buys according to students

  • Airing rack
  • Fairylights
  • Frying pan
  • Mattress topper
  • Mini fridge, if you can wangle one
  • Pins for the pinboard
  • Quadruple plug extension and power breaker
  • Wok (for cooking large quantities in one go, then storing).

Less useful

  • First aid kit
  • Beanbag
  • Fancy teapot.

Five stores selling back to uni items that won’t break the bank

Argos

Debenhams

Ikea

John Lewis

Next homewares

With thanks to Frank B, James C, Clare E, Hector F, Amy J, Lydia K, Polly K and Victoria P for their input.

© Copyright Sandra Kessell

This article is unsponsored. Contact me to work with me.

Character interview – Colin Dexter’s Guilty Secret

Colin Dexter’s guilty secret.

Sandra Fraser

…I wrote this feature in 2007 – it’s still one of my favourites.

He feels the gods have smiled on him and is one of the world’s best-read crime writers. But Colin Dexter is hiding a guilty secret – he confessed all to Sandra Fraser.

Crime writer Colin Dexter doesn’t appear to be a man to make startling revelations. Considered statements, perhaps, but not breathtaking admissions with the potential to leave his Oxford neighbours reeling. He’s saved the thrill of exposé for readers of his books. Not that he is planning to resurrect his much-loved creation, Inspector Morse – he is adamant that he never will. He doesn’t need to confess that he is directly, or indirectly, responsible for making Oxford the murder capital of Europe – that fact has done tourism no harm – Morse fans flock to Oxford and his Lincolnshire-born creator is a freeman of the city…

View original post 1,760 more words

All is quiet… 

It’s not always easy to find a new angle for a feature on a best-loved Cotswold town. Burford’s beautiful buildings and picturesque streets feature in many magazines and on websites, but a quick look around gave me the inspiration for a nativity trail. It’s reproduced in the link below if you missed it. Happy Twelfth Night!

cots-life-dec-16-burford-nativity

©Cotswold Life December 2016

 

Light years away

…—… SOS © Bruce Munro 2015, Waddesdon Manor photographer Mark Pickthall

 

Fittingly, I’ve book-ended the Bruce Munro installations at Waddesdon Manor, visiting only the first and last years of his exhibitions, since a ‘proper job’ meant I was unable to get to the intervening open evenings. And so it was a pleasure to accept this latest invitation to see the paths his dreams in light have taken.
Not for Bruce – not here – the comfort of ‘pretty’. In any case, illuminated alliums now hang in their thousands in municipal Christmas decorations across countless towns and cities and his installations represent so much more than lights in a shopping precinct. This year, 2015, Bruce seeks to capture the zeitgeist by questioning our consciences and the extent of our charity. *

“The effect is stunning… it halts you in haunted tracks”

If that seems an austere approach at Christmas, it isn’t – visually at least. Bruce’s ethereal, elegiac and engaging installation glows through the shrubbery and his sounds echo across the gardens like mythical sirens calling passers-by. But as you make your journey towards the sounds, the giant tree ferns lining the path loom through the darkness, their white winter fleeces looking for all the world like bandages wrapped around dreadful wounds. Once you’re standing alongside the site it is apparent the music is a series of segue-ways from pop to rock to opera, transmitting simultaneously from over 100 single-person tents, paying homage to the charity Shelterbox. The sound and light show lends the tents a disco feel, until without warning, the nylon canvasses shot through with the purple, blue and red are punctured alarmingly by white light accompanied by the ditditdit, dahdahdah, ditditdit of more than 100 SOS messages.

“The …–––… of more than 100 SOS messages”

This voyage of son et lumière, Bruce explains, has been inspired by the desire to couple his work with a specific charity and the teen memory of twiddling the dials on the radio to find a favourite station (he had to replicate some of the sounds with actors, since the BBC wouldn’t grant him a licence to use any original recordings). It’s all manufactured, of course. Anyone hovering around the same age as Bruce will remember not only the distant Morse code messages but the buzz of white noise and the seemingly meaningless repetitions of a five-note tune transmitting mournfully across the airwaves. But for all that the tents don’t house refugees, the effect is stunning nonetheless. It halts you in haunted tracks.
Get away from the crowds for a moment if you can, and take in the installation alone. For it is only when you stop that the sound of your own humanity cuts through life’s hubbub and Bruce’s brightly lit tents encourage your empathy for fellow humans.

SOS © Bruce Munro 2015
…—… SOS images © Bruce Munro 2015, Waddesdon Manor photographer Mark Pickthall

NB: Bruce Munro’s light installation is part of the Winter Light at Waddesdon Manor Christmas season running from Wednesday 11 November to Sunday 3 January (closed 24–26 December).
The seasonal decorations have been created in 20 rooms, including the Bachelors’ Wing, and around the manor’s exterior. Feature table settings, Christmas trees and room tableaux continue the theme of Lights & Legends, all with a backdrop of the matchless Rothschild Collection and the manor itself.

©National Trust Waddesdon Manor photo Mike Fear
©National Trust Waddesdon Manor photo Mike Fear

*If anyone cares to delve further into the history of the manor, during the Second World War, the Rothschilds moved into the Bachelors’ Wing, leaving the main house to children evacuated from London.

To find out more visit the Waddesdon Manor website.

More on Moore

Henry Moore Foundation. Miners at the Coalface
Henry Moore, Four Studies of Miners at the Coalface, 1942. Photo: The Henry Moore Foundation archive. Reproduced by permission of The Henry Moore Foundation.
Tunnel shelterers Henry Moore Foundation
Henry Moore, Study for ‘Tube Shelter Perspective: The Liverpool Street Extension’, 1941. Inv. HMF 1649. Photo: The Henry Moore Foundation archive. Reproduced by permission of The Henry Moore Foundation
Hill Arches. Henry Moore sculpture at Waddesdon
Hill Arches 1973, reproduced by kind permission of the Henry Moore Foundation Photo: Mike Fear

The last of summer beckoned us over to Waddesdon Manor – a quick enough and largely traffic-free cycle ride from here even if it does involve a hill or two. It was the exhibition of 100 of Henry Moore’s drawings at the Coach House that attracted us (though there’s much more to Waddesdon Manor, if you have the time to go regularly). We’ve been trying to get over to see From Paper to Bronze all summer and felt it was this weekend or never, before the doors close on October 25.

As so many of Moore’s monumental sculptures feature prominently in urban and accessible spaces, his name is associated with a recognisable style. What may be less well-known to those of us used to seeing his statues in parks, precincts and on university campuses was his ability as a draughtsman. On entering the exhibition you’re immediately struck by the serenity of the double sculpture King and Queen as they oversee the space with a quiet but imposing presence. Originally intended for an outdoor landscape, they also work well close-to – Moore paid meticulous attention to the delicate detail of the couple’s hands and feet and the view of their backs. For my part, I was particularly pleased to see an industrious spider had set up home in the King’s crown, lending him a benevolent air.

The evolution of the man from youth to twilight years is expressed through his artistic eye.

But for all the statues’ authority, it was the depth in the drawings on display that struck me most. Moore was an inveterate sketcher who produced thousands of such works, his output varying in quantity and quality according to his age and purpose. The evolution of the man, from directed youth to influenced young scholar, to innovative master, before he settled into the unchallenging sketches of his twilight years, is expressed through his artistic eye. The exhibition’s set-up along a timeline gave it a palpable wistfulness, I felt. Through the drawings I could trace the vigour of youth, the confidence of middle years and the decline into decrepitude (Moore suffered arthritis in old age). His work reflected his moods, from love and admiration through despair and anguish to hope and on to acceptance. Most striking for me were the designs commissioned for textiles and the drawings he made during his period as a war artist, recording the extraordinary nightly scenes in the London Underground and in the coal mining pits of Yorkshire.
Maybe the autumn winds and angle of the sunlight lent the gallery a melancholic mood that day, but I was left with an impression of a way of life lost and wondered what today’s artists, viewed in 30 years’ time, will have left the next generation, either in the way of monumental art, teaching foundations or pure visual pleasure.

If you can’t get along to Waddesdon it’s worth a trip to the Yorkshire Sculpture Park which Moore helped to found or a visit to the Henry Moore Studios in Hertfordshire.

NB: Exhibition details

From Paper to Bronze runs until October 25, after which the manor adopts its Halloween programme over the half-term holiday. It dons its annual winter festival lights and looking forward to Christmas and this year’s Bruce Munro installation.

*After checking in at the new visitors’ car park cyclists can pedal all the way to the top of the hill and use the cycle racks in the staff car park. It’s well worth the extra effort for the views across Aylesbury Vale and beyond and the thrill of the return journey down the other side of the hill.